Its About Time - The Lemonheads - Do Not Use (CD)
Richie left in Augustupset that after being in the band for five years, the other members would still not give him a share of the merchandising money. According to Johnny, the performances with Burke—who adopted the name Elvis Ramone—were a disaster.
In Decemberthe Ramones recorded material for their eleventh studio album, and what was supposed to be a "comeback" for the band,   Brain Drain ; co-produced by Beauvoir, Rey, and Bill Laswell. Dee Dee Ramone would only record the additional vocals on the album citing that members of the band including himself were going through personal troubles and changes to the point where he did not want to be in the band anymore. Although it received generally mixed to positive reviews upon its release in earlythe album included the band's highest-charting hit in America, " Pet Sematary ".
Despite not wanting to be in the band anymore, Dee Dee who was sober by this point was present for the world tour for Brain Drain and played his last show with the Ramones on July 5, at One Step Beyond in Santa Clara. Ramonewho performed with the band until they disbanded. Dee Dee initially pursued a brief career as a rapper under the name Dee Dee King. He quickly returned to punk rock and formed several bands, in much the same vein as the Ramones, for whom he also continued to write songs despite never rejoining the band.
After more than a decade and a half at Sire Records, the Ramones moved to a new label, Radioactive Records. Their first album for the label was 's Mondo Bizarrowhich reunited them with producer Ed Stasium. Acid Eatersconsisting entirely of cover songs, came out in However, they accepted an offer to appear in the sixth Lollapalooza festival, which toured around the United States during the following summer.
This was the last occasion on which the original four members of the group appeared together. Joey, who had been diagnosed with lymphoma indied of the illness on April 15,in New York. At the ceremony, the surviving inductees spoke on behalf of the band. Johnny spoke first, thanking the band's fans and blessing George W.
Bush and his presidency. Tommy spoke next, saying how honored the band felt, but how much it would have meant for Joey. Dee Dee humorously congratulated and thanked himself, while Marky thanked Tommy for influencing his drum style. Green Day played "Teenage Lobotomy", "Rockaway Beach", and " Blitzkrieg Bop " as a tribute, demonstrating the Ramones' continuing influence on later rock musicians.
The ceremony was one of Dee Dee's last public appearances, as he was found dead on June 5, from a heroin overdose. Johnny, who had been diagnosed with prostate cancer indied on September 15,in Los Angelesshortly after the film's release.
Located in BerlinGermany, the museum features more than items of memorabilia, including a pair of stage-worn jeans from Johnny, a stage-worn glove from Joey, Marky's sneakers, and C. Drummers Tommy, Marky, and Richie attended the ceremony. I never expected this. I'm sure Johnny, Joey, and Dee Dee would never have expected this. On April 30,their debut album, Ramonesbecame certified Gold by the Recording Industry of America after sellingcopies, 38 years after its release.
Arturo Vegacreative director from their formation in until their disbanding in and often considered the fifth Ramone, died of cancer on June 8,at the age of On October 30,the band had a street in QueensNew York named for them. On April 15,the 20th anniversary of Joey Ramone's death, it was announced that Pete Davidson would portray Ramone in the upcoming Netflix biopic I Slept with Joey Ramone which is based on the memoir of the same name written by Ramone's brother Mickey Leigh.
Leigh will serve as an executive producer with a script written by Davidson and director Jason Orley. Tension between Joey and Johnny colored much of the Ramones' career. The pair were politically antagonistic, Joey being a liberal and Johnny a conservative. Their personalities also clashed: Johnny, who spent two years in military schoollived by a strict code of self-discipline while Joey struggled with obsessive—compulsive disorder and alcoholism.
Dee Dee 's bipolar disorder and repeated relapses into drug addiction also caused significant strains. A year after the Ramones' breakup, Marky Ramone made disparaging remarks against C. He also denied being a bigot. The Ramones' loud, fast, straightforward musical style was influenced by pop music that the band members grew up listening to in the s and s, including classic rock groups such as Buddy Holly and the Cricketsthe Beach Boysthe Whothe Beatlesthe KinksLed Zeppelinthe Rolling Stonesthe Doors and Creedence Clearwater Revival ; bubblegum acts like the Fruitgum Company and Ohio Express ; and girl groups such as the Ronettes and the Shangri-Las.
Everything was long jams, long guitar solos We missed music like it used to be. With just four chords and one manic tempo, New York 's Ramones blasted open the clogged arteries of mid-'70s rock, reanimating the music. As leaders in the punk rock scene, the Ramones' music has usually been identified with that label,  while some have categorized their style as pop punk    or power pop. On stage, the band adopted a focused approach directly intended to increase the audience's concert experience.
Johnny 's instructions to C. Johnny was not a fan of guitarists who performed facing their drummer, amplifier, or other band members. The Ramones' art and visual imagery complemented the themes of their music and performance. The members adopted a uniform look of long hair, leather jacketsT-shirts, torn jeans, and sneakers.
This fashion emphasized minimalism —a powerful influence on the New York punk scene of the s —and reflected the band's short, simple songs. I was a big Mad magazine fan myself. Vega, a longtime friend, had allowed Joey and Dee Dee to move into his loft. I saw them as the ultimate all-American band. To me, they reflected the American character in general—an almost childish innocent aggression I thought, 'The Great Seal of the President of the United States ' would be perfect for the Ramones, with the eagle holding arrows—to symbolize strength and the aggression that would be used against whomever dares to attack us—and an olive branch, offered to those who want to be friendly.
But we decided to change it a little bit. Instead of the olive branch, we had an apple tree branch, since the Ramones were American as apple pie. And since Johnny was such a baseball fanatic, we had the eagle hold a baseball bat instead of the [Great Seal]'s arrows. The scroll in the eagle's beak originally read "Look out below", but this was soon changed to "Hey ho let's go" after the opening lyrics of the band's first single, " Blitzkrieg Bop ".
The arrowheads on the shield came from a design on a polyester shirt Vega had bought. Over the years the names in the border would change as the band's line-up fluctuated.
A lot of the kids wearing that shirt might not even have heard of the Ramones' music. I guess if you have the shirt, your curiosity might bring you to buy the music. Whatever, it is a strange phenomenon. The Ramones had a broad and lasting influence on the development of popular music. Music historian Jon Savage writes of their debut album that "it remains one of the few records that changed pop forever. The Ramones' debut album had an outsized effect relative to its modest sales.
According to Generation X bassist Tony James"Everybody went up three gears the day they got that first Ramones album. Punk rock—that rama-lama super fast stuff—is totally down to the Ramones. Bands were just playing in an MC5 groove until then.
The next night, members of both bands attended the Ramones' gig at the Dingwall's club. Are you in a band? We call ourselves the Clash but we're not good enough. Just get out there and do it. The seminal hardcore band Bad Brains took its name from a Ramones song. The Ramones also influenced musicians associated with other genres, such as heavy metal. Their influence on metal gave birth to the punk-metal "fusion" genre of thrash.
Metallica guitarist Kirk Hammettone of the originators of thrash guitar, has described the importance of Johnny's rapid-fire guitar playing style to his own musical development.
The band members were also individually influential. They never played arenas; couldn't sell them out. It was a failed band. It doesn't mean they weren't great. It means the masses didn't care. Kevin Morby 's fourth album City Music features the track "" inspired by the singer's childhood love of Ramones.
In AprilSpin writer Mark Prindle observed that the Ramones had to date "inspired a jaw-dropping 48 at least! The Song Ramones the Samewhich came out the following year, includes performances by the Dictatorswho were part of the early New York punk scene, and Wayne Kramerguitarist for the influential protopunk band MC5. When Johnny Ramone heard it, he refused to put it on the tribute album. Lemmy and I thought we did a good version. Shonen Knifean all-woman trio band from Osaka, Japan, was formed in as a direct result of founder-lead singer-guitarist Naoko Yamano 's instant infatuation with the music of the Ramones.
It was listed at number on Rolling Stone ' s list of The Greatest Albums of All Time in  — jumping up to number in its edition  — and at number in NME ' s list of the same name in The album's wide-ranging influence is exemplified by the number of bands which have covered its songs. American alternative rock band R. Britpop band Elastica also used a riff similar to that of "Three Girl Rhumba" for their song " Connection ".
Credits adapted from the Special Edition. All music written by Colin Newmanexcept where noted. All lyrics written by Graham Lewisexcept where noted. Credits adapted from the liner notes of the Special Edition. From Wikipedia, the free encyclopedia. Punk rock  art punk  post-punk . Alternative Press.
Retrieved 19 April Wire's Pink Flag. ISBN Rolling Stone. Retrieved 11 November Retrieved 8 February Boston: Ticknor and Fields. ISBN X. Retrieved 22 March — via robertchristgau. The Encyclopedia of Popular Music 5th concise ed. London: Omnibus Press. The Lemonheads. Dando has remained the band's only constant member.
Evan Dando. He has also embarked on a solo career and collaborated on songs with various artists. In December The Magnetic Fields.
He is the group's primary songwriter, producer and vocalist, as well as frequent multi-instrumentalist. Armand Van Helden. He was one of the main proponents of the speed garage genre, remixing various Free were an English rock band formed in London inbest known for their signature song "All Right Now". They disbanded in and lead singer Paul Rodgers went on to become the frontman Danny Wood.
Daniel William Wood born May 14, is an American singer, songwriter, record producer, and occasional actor. He is also a member of the American boy band New Kids on the Block and also serves as Chick Corea. Harry Carney. Harry Howell Carney April 1, — October 8, was a jazz saxophonist and clarinettist who spent over four decades as a member of the Duke Ellington Orchestra Letters to Cleo. The band's members were The group consists of Robert Curry, Brian Angel, Donnie Wahlberg.
Donald Edmond Wahlberg Jr. He is a founding member of the boy band New Kids on the Block. Bell Biv DeVoe. Marky Mark and The Funky Bunch. Sonny Stitt. Edward Hammond Boatner Jr. Known for his warm tone, he was one The band was based in Boston, Massachusetts, though all of the original members grew Mike Stern.
Mike Stern born January 10, is an American jazz guitarist. Roger Miller. Roger Clark Miller is an American singer, songwriter and multi-instrumentalist best known for co-founding Mission of Burma and performing in Alloy Orchestra. His main instruments are guitar and Mark Sandman. Mark Sandman September 24, — July 3, was an American singer, songwriter, musical instrument inventor, multi-instrumentalist and comic writer.
He was an indie rock icon and longtime Mission of Burma. Mission of Burma is an American post-punk band formed in Boston, Massachusetts in In addition to his music, Clayton has established a blog identity with musical and Meliah Rage.
They are characterized primarily as thrash metal with more classical metal The Upper Crust. The members adopt the personae of 18th century aristocratic fops and sing songs from that perspective. They use titles of Buffalo Tom. Buffalo Tom is an American alternative rock band from Boston, Massachusetts, formed in He was born in Boston Arthur Baker.
He is also Ralph Tresvant. Ralph Edward Tresvant Sr. American Hi-Fi. American Hi-Fi is an American rock band formed in Boston in The band consists of lead vocalist and rhythm guitarist Stacy Jones, lead guitarist Jamie Arentzen, bassist and backing vocalist Drew Bury Your Dead. Bill Chase. Bill Chase October 20, — August 9, was an American trumpeter and leader of the jazz-rock band Chase Raymond Scott born July 18,better known by his stage name Benzino, is an American hip hop media executive and record producer.
Tribe was an alternative rock band from Boston, Massachusetts which was active in the late s and early s. Records, but did not Planet Patrol. Planet Patrol is an American electro group originating in the s. Jackson: lead singer Joseph Lites, Rodney Marissa Nadler. Marissa Nadler born April 5, is an American musician and fine artist based in Boston, Massachusetts. Vanna is a pop singer from Croatia Ruby Braff. Serge Chaloff.
Serge Chaloff November 24, — July 16, was an American jazz baritone saxophonist. The first and greatest bebop baritonist, Chaloff has been described as 'the most expressive and openly Gigolo Aunts. Gigolo Aunts are an American power pop band, who were formed in Bill Keith. Butler described him as a "crazy showman Each script contained local references, such as street names and the names or depictions of local politicians and celebrities. Castelli produced companies Its About Time - The Lemonheads - Do Not Use (CD) France, Germany, Mexico and other countries, sometimes also directing the productions.
A successful Parisian production of Hair opened Its About Time - The Lemonheads - Do Not Use (CD) June 1, Miller and directed by Jim Sharmanwho also designed the production.
Redd was one Its About Time - The Lemonheads - Do Not Use (CD) six African-Americans brought to Australia to provide a racially integrated tribe. The production transferred to Melbourne in and then had a national tour.
It marked the stage debut of Boston -born Australian vocalist Marcia Hines. Another notable production was in Belgradein the former Yugoslaviain It was the first Hair to be produced in a communist country. ByHair was a huge financial success, and nineteen productions had been staged outside of North America.
Hair explores many of the themes of the hippie movement of the s. Theatre writer Scott Miller described these as follows:. Contrary to popular opinion, the hippies had great respect for America and believed that they were the true patriots, the only ones who genuinely wanted to save our country and make it the best it could be once again.
It symbolized equality between men and women. Drab work clothes jeans, work shirts, pea coats were a rejection of materialism. Clothing from other cultures, particularly the Third World and native Americans, represented their awareness of the global community and their rejection of U. Simple cotton dresses and other natural fabrics were a rejection of synthetics, a return to natural things and simpler times.
Some hippies wore old World War II or Civil War jackets as way of co-opting the symbols of war into their newfound philosophy of nonviolence. Extending the precedents set by Show Boat and Porgy and BessHair opened the Broadway musical to racial integration; fully one-third of the cast was African American.
Several songs and scenes from the show address racial issues. One of the tribe's protest chants is "What do we think is really great? To bomb, lynch and segregate! Supreme Court had struck down laws banning interracial marriage in Copulate in a king-sized bed.
The Lincoln character then recites a modernized version of the Gettysburg Addresswhile a white female tribe member polishes Lincoln's shoes with her blond hair. The many references to Native Americans throughout the script are part of the anti-consumerismnaturalism focus of the hippie movement and of Hair.
The characters in the show are referred to as the "tribe", borrowing the term for Native American communities. All the sense of family, of belonging, of responsibility and loyalty inherent in the word 'tribe' has to be felt by the cast. The brief nude scene at the end of Act I was a subject of controversy and notoriety.
The naked body was beautiful, something to be celebrated and appreciated, not scorned and hidden. They saw their bodies and their sexuality as gifts, not as 'dirty' things. Hair glorifies sexual freedom in a variety of ways. Various illegal drugs are taken by the characters during the course of the show, most notably a hallucinogen during the trip sequence.
Similarly, in the song "Donna", Berger sings that "I'm evolving through the drugs that you put down. For example, Jeanie, after revealing that she is pregnant by a " speed freak", says that " methedrine is a bad scene". The theme of opposition to the war that pervades the show is unified by the plot thread that progresses through the book — Claude's moral dilemma over whether to burn his draft card.
The lyrics to " Three-Five-Zero-Zero ", which is sung during that sequence, evoke the horrors of war "ripped open by metal explosion". In the poem, General Maxwell Taylor proudly reports to the press the number of enemy soldiers killed in one month, repeating it digit by digit, for effect: "Three-Five-Zero-Zero.
Hair also aims its satire at the pollution caused by our civilization. Hello carbon monoxide. The air Religion, particularly Catholicism, appears both overtly and symbolically throughout the piece, and it is often made the brunt of a joke.
In Act II, when Berger gives imaginary pills to various famous figures, he offers "a pill for the Pope ". I shall vanish and be forgotten," then gives benediction to the tribe and the audience. There are textual allusions to Claude being on a cross, and, in the end, he is chosen to give his life for the others. Harmony and understanding Sympathy and trust abounding.
No more falsehoods or derisions Golden living dreams of visions Mystic crystal revelation And the mind's true liberation. Songs like "Good Morning, Starshine" and "Aquarius" reflect the s cultural interest in astrological and cosmic concepts. The position of the 'history makers' PlutoUranusJupiter in the 10th house made the show unique, powerful and a money-maker. And the fact that Neptune was on the ascendancy foretold that Hair would develop a reputation involving sex.
In Mexico, where Crummere did not pick the opening date, the show was closed down by the government after one night.
Hair makes many references to Shakespeare 's plays, especially Romeo and Juliet and Hamletand, at times, takes lyrical material directly from Shakespeare. Symbolically, the running plot of Claude's indecision, especially his resistance to burning his draft card, which ultimately causes his demise, has been seen as a parallel to Hamlet : "the melancholy hippie".
According to Public Theater Artistic Director Oskar Eustis"Both [ Hair and Hamlet ] center on idealistic brilliant men as they struggle to find their place in a world marred by war, violence, and venal politics. They see both the luminous possibilities and the harshest realities of being human. In the end, unable to effectively combat the evil around them, they tragically succumb.
In his introduction to the published script of Viet RockRichard Schechner says, "performance, action, and event are the key terms of Its About Time - The Lemonheads - Do Not Use (CD) theatre — and these terms are not literary.
The playwright's job was not just to put words on a page, but to create a theatrical experience based on a central idea. Megan Terry's Viet Rock was created using this improvisational process. In her stage directions for a Senate hearing scene in Viet RockTerry wrote, "The actors should take turns being senators and witnesses; the transformations should be abrupt and total.
When the actor is finished with one character he becomes another, or just an actor. Hair was designed in much the same way. Tom O'Horgan, the show's Broadway director, was intimately involved in the experimental theatre movement. Both Hair and Viet Rock include rock music, borrowed heavily from mass media, and frequently break down the invisible " fourth wall " to interact with the audience.
For example, in the opening number, the tribe mingles with audience members, and at the end of the show, the audience is invited on stage. In the original Broadway production, the stage was completely open, with no curtain and the fly area and grid exposed to the audience.
The proscenium arch was outlined with climb-ready scaffolding. Wagner's spare set was painted in shades of grey with street graffiti stenciled on the stage. The stage was raked, and a tower of abstract scaffolding upstage at the rear merged a Native American totem pole and a modern sculpture of a crucifix -shaped tree.
This scaffolding was decorated with found objects that the cast had gathered from the streets of New York. Some of these included mixed parts of military uniforms, bell bottom jeans with Ukrainian embroidery, tie dyed T-shirts and a red white and blue fringed coat.
At the musical cue, "they [stood] naked and motionless, their bodies bathed in Fisher's light projection of floral patterns. They chant[ed] of 'beads, flowers, freedom, and happiness. Groucho Marx quipped, "I was gonna go see it, and then I called up the theater.
I told them I'd call back, went into my bathroom, took off all my clothes, and looked at myself in the full-length mirror. Then I called the theater and said, 'Forget it. The nudity was optional for the performers. The French cast was "the nudest" of the foreign groups, while the London cast "found nudity the hardest to achieve". So I did it. We put so much value on clothing. It's like so much else people get uptight about. We stood naked to comment on the fact that society makes more of nudity than killing.
Not only the soul but the whole body was being exposed. It was very apt, very honest and almost necessary. Much deeper though. Hair is very African — a lot of [the] rhythms, not the tunes so much. MacDermot has claimed that the songs "can't all be the same.
You've got to get different styles. I like to think they're all a little different. The same hard rock sound that had conquered the world of popular music made its way to the musical stage with two simultaneous hits — Your Own Thing [and] Hair. This explosion of revolutionary proclamations, profanity and hard rock shook the musical theatre to its roots.
Most people in the theatre business were unwilling to look on Hair as anything more than a noisy accident. Tony voters tried to ignore Hair's importance, shutting it out from any honors. However, some now insisted it was time for a change.
New York Times critic Clive Barnes gushed that Hair was "the first Broadway musical in some time to have the authentic voice of today rather than the day before yesterday. The music did not resonate with everyone.
Leonard Bernstein remarked "the songs are just laundry lists"  and walked out of the production. The score had many more songs than were typical of Broadway shows of the day. The show was under almost perpetual re-write. The Shakespearean speech " What a piece of work is a man " was originally spoken by Claude and musicalized by MacDermot for Broadway, and "Hashish" was formed from an early speech of Berger's.
The first recording of Hair was made in featuring the off-Broadway cast. It stayed at No. Its exotic orange-and-green cover art imprinted itself instantly and indelibly on the psyche. The London revival cast album contains new music that has been incorporated into the standard rental version.
Some of the songs were cut between the Public and Broadway productions, some had been left off the original cast album due to space, and a few were never performed onstage. The score of Hair saw chart successes, as well. The Cowsills ' recording of the title song "Hair" climbed to No. Reception to Hair upon its Broadway premiere was, with exceptions, overwhelmingly positive.
I think it is simply that it is so likable. So new, so fresh, and so unassuming, even in its pretensions. O'Connor of The Wall Street Journal said the show was "exuberantly defiant and the production explodes into every nook and cranny of the Biltmore Theater". Television reviews were even more enthusiastic. Allan Jeffreys of ABC said the actors were "the most talented hippies you'll ever see A reviewer from Varietyon the other hand, called the show "loony" and "without a story, form, music, dancing, beauty or artistry.
It's impossible to tell whether [the cast has] talent. Maybe talent is irrelevant in this new kind of show business. Reviews were mixed when Hair opened in London. Irving Wardle in The Times wrote, "Its honesty and passion give it the quality of a true theatrical celebration — the joyous sound of a group of people telling the world exactly what they feel. Young agreed that Hair was "not only a wildly enjoyable evening, but a thoroughly moral one.
Darlington of The Daily Telegraph wrote that he had "tried hard", but found the evening "a complete bore — noisy, ugly and quite desperately funny". Acknowledging the show's critics, Scott Miller wrote in that "some people can't see past the appearance of chaos and randomness to the brilliant construction and sophisticated imagery underneath. The show rejected every convention of Broadway, of traditional theatre in general, and of the American musical in specific. And it was brilliant.
I let it fly in the breeze and get caught in the trees, Give a home to the fleas in my hair. A home for fleas, a hive for bees A nest for birds, there Its About Time - The Lemonheads - Do Not Use (CD) no words For the beauty, the splendor, the wonder of my Hair. Flow it, show it, long as God can grow it, my hair.
Oh say, can you see my eyes? If you can Then my hair's too short. They'll be ga ga at the Go Go when they see me in my toga, My toga made of blond, brilliantined, biblical hair. My hair like Jesus wore it, Hallelujah, I adore it. Hair challenged many of the norms held by Western society in The name itself, inspired by the name of a Jim Dine painting depicting a comb and a few strands of hair,   was a reaction to the restrictions of civilization and consumerism and a preference for naturalism.
The longer the hair got, the more expansive the mind was. Long hair was shocking, and it was a revolutionary act to grow long hair. It was kind of a flag, really. The musical caused controversy when it was first staged. The Act I finale was the first time a Broadway show had seen totally naked actors and actresses,  and the show was charged with the desecration of the American flag and the use of obscene language. Two cases eventually reached the U. Supreme Court. The touring company of Hair met with resistance throughout the United States.
In South BendIndiana, the Morris Civic Auditorium refused booking,  and in Evansville, Indianathe production was picketed by several church groups. Supreme Court to be an unlawful prior restraint. The legal challenges against the Boston production were appealed to the U. The Chief of the Licensing Bureau took exception to the portrayal of the American flag in the piece,  saying, "anyone who desecrates the flag should be whipped on Boston Common.
The Hair legal team obtained an injunction against criminal prosecution from the Superior Court,  and the D. At the request of both parties, several of the justices viewed the production and handed down a ruling that "each member of the cast [must] be clothed to a reasonable extent.
After the Federal appellate bench reversed the Massachusetts court's ruling, the D.
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